Movies

“Imaginary” is an unimaginative horror flick

As a horror enthusiast, “Imaginary” was disappointing. I love the horror genre, but the film was just not scary. It…

“Late Night with the Devil”: A promising satirical horror film tainted by AI

“Late Night with the Devil” is a creative found-footage horror movie that originally premiered at the South by Southwest Film…

“Ghostbusters: Frozen Empire” is as lifeless as its poltergeists

I love the original “Ghostbusters,” not only because of the nostalgia I have from watching it with my family during…

“Damsel”: Reworking fairytale tropes in 2024

“Damsel” was a refreshing film that I enjoyed despite its faults. The film has the strongest of some of Millie…

“Dune: Part 2” (2024) review: A modern masterpiece

“Dune: Part 2” took everything great about the first movie and expanded upon it to create an out-of-this-world experience for viewers.

‘The Underdoggs’ (2024) review: An underwhelming sports story

“The Underdoggs” was about as predictable as “The Mighty Ducks” or “Air Bud,” except without a unique twist — another…

“Madame Web” (2024) review: A web of confusion

"Madame Web" was better than "Morbius" but still laughably bad. If you’re looking for a date-night movie, stay out of the spider’s web.

“Argylle” (2024) review: A convoluted mess

I’m just going to come out and say it: “Argylle” bored me. Not even the star-studded ensemble cast could hold this story together.

“The Holdovers” (2024) review: Holding Oscar nominations

“The Holdovers,” directed by Alexander Payne, is a surprisingly upbeat and touching film that explores depression and loss.

‘Mean Girls’ (2024) review: A not-so-mean musical

In the last few months, Hollywood has churned out movies inspired by Broadway musicals. “Mean Girls” is no exception to this trend.