Art
art exhibit
A journey to Camelot
While exhibits are typically held in the Robbins Library, Camelot is unique in both the physical and cultural spaces it occupies.
MAG
Yayoi Kusama’s wonderful “Infinity Mirrored Room” open at the MAG
Her art typically depicts obsessive repetition through the use of lighting and mirrors — shown very obviously in the Mirrored Room.
Collage
Artist Rivka Simcha on her Hartnett Award-winning piece “Venus Decomposing”
Rivka Simcha's “Venus Decomposing,” which juxtaposes beauty and decay, won the "Hartnett Award” last month. She spoke with the CT about her art.
art
Yayoi Kusama’s INFINITY MIRRORED ROOM invites oblivion
The “Infinity Mirror Room” only allows people to stay for one to one-and-a-half minutes, it feels like one is completely alone in the oblivion of oneself
memorial art gallery
MAG exhibition “Beyond Beauty” confronts visitors with what they don’t want to see
"Beyond Beauty" portrays humanity as less-than-perfect in the traditional sense: Body Horror; Witch, Mother, Crone; The Wages of Sin; and Social Ills.
art
Find X: Identifying humanity in “Homework, Horizons, and Hellscapes”
Underneath the graphs, hidden behind rational squares and plotted timelines, are thousands of unnamed voices, crying out from between x and y.
art
An opportunity to create: Turkish Ebru sip n’ paint with Muslim Students’ Association
The Muslim Students’ Association’s Sip n’ Paint sent many students home with a weight lifted off their shoulders and a few pieces of artwork of their own.
art
Insights into the room over with Madeline Coleman
Her first-ever solo exhibit, “in the room over,” explores the themes of non-functionality and mental health.
art
The Natural Center is a beautiful ode to Earth
Each of the mixed media pieces intertwines themes of nature and humanity, exploring feelings of unnaturalness or discomfort in the spaces where they meet.
Ancient Egypt
‘Striking Power’: the truth behind the broken noses of Ancient Egyptian sculptures
The exhibit examines the patterns of damage inflicted on works of art for political, religious, and criminal reasons — the results of organized campaigns of destruction.