albums of the week

“Reflecting” on Melt

Not for Radio, which she calls her “alternate reality” is not the end of The Marías, just a side endeavor. Read More

“Vie”: a return to comfort, a loss of life

“Vie” delivers peppy synth and the fun, sexual lyrics that fans have come to expect and enjoy. Read More

Pain to Power proves that Maruja can create jazz-punk catharsis in long-form

What emerges is a furious yet meditative statement: a debut that doesn’t just protest — it sings, screams, whispers, and builds meaning. Read More

“SWAG II” is Justin Bieber reinvented

Justin Bieber is not the teenager the world fell in love with 15 years ago. Read More

La Dispute’s “No One Was Driving the Car”: The long-awaited return to post-hardcore poetry

Overall, “No One Was Driving the Car” is a passionate and often poetic return to La Dispute’s signature style. Read More

Big Thief’s “Double Infinity” is a leap into a psychedelic future

The record floats between folk rock, neo-psychedelia, and country folk while teasing out a looser, more playful side of the band. Read More

Jane Remover “Revengeseekerz” follows no rules

Forget Playboi Carti — Jane has embraced the popular rage sound that is dominating rap right now but injected it with steroids and cybernetic limbs to create a blown-out, techno-orgy of throttling beats, sassy vocals, and tuneful melodies. Read More

Priya Ragu’s 2021 “damnshestamil” pays homage to her Tamil heritage

Released in 2021, her debut album “damnshestamil” is a warm combination of contemporary music and an ode to her heritage, incorporating audio clips of women speaking in Tamil overlayed with traditional South Indian beats. Read More

Tim Hecker: Revisiting a Masterpiece

Ambient is one of the more abstract and hard-to-judge genres, with some works consisting of unchanging drones for the entirety of their runtime. Read More

Mirar’s debut “Ascension” brings a metal with a different sort of appeal to the mainstream

While it’s unlikely Mirar will become metal’s new flagship band — they are still a bit too subversive to attract any truly mainstream appeal — the crossover elements at play here serve to make them a band worth watching. Read More