Tagged - music criticism

“From the Pyre” by The Last Dinner Party shows the band is here to stay

They continue to find gold by mining their blend of glam rock and baroque pop with snappy choruses and memorable lyrics and retread this ground entertainingly, while also delving into new ideas to keep things fresh. Read More

“Vie”: a return to comfort, a loss of life

“Vie” delivers peppy synth and the fun, sexual lyrics that fans have come to expect and enjoy. Read More

Pain to Power proves that Maruja can create jazz-punk catharsis in long-form

What emerges is a furious yet meditative statement: a debut that doesn’t just protest — it sings, screams, whispers, and builds meaning. Read More

‘Man’s Best Friend’ isn’t as amazing, or as appalling, as it’s made out to be

Maybe, as listeners, we need to reorient what we ask of our favorite singers. Instead of demanding depth, perhaps it’s time to accept a delivery of fun material. Read More

I’ve “Given Up”: Linkin Park let me down

I think a big reason this new era of Linkin Park falls so flat for me is that I can’t connect to it on an emotional level. Read More

Grammy Noms: Colin’s Commentary

That said, I’m always still curious to see what gets nominated. Perhaps some part of me hopes that an artist who actually deserves it gets the recognition. Read More

“143” review: Katy Perry needs a wellness check

I wish I could say I respect Perry for trying, but her total lack of respect for music, her fans, and herself makes it impossible for me to do so. Read More

0.0/10: Was Pitchfork’s shift to a men’s magazine the best move?

As a journal, Pitchfork is the biggest fish in a slowly draining pond, and it is unclear what its decline will sink next. Read More