I recently helped host an alumni event in Philadelphia. During the event I was approached by two alums who enthusiastically reported the news of their engagement. They both had worked on the Campus Times as students in the early 1990s and in the course of our conversation, they regaled me with their fondness for Ray MacConnell during their years here and told me that not only had they stayed in contact with him but that he was doing the flowers for their wedding. I was impressed by their enthusiasm for someone who had clearly made a lasting impact on them. This is not the first time I have encountered such enthusiasm for Ray. Over the years, other alums have mentioned him as a valuable part of their undergraduate experience. As I think about Ray?s 25 years of service at the University, I have no doubt that there are countless others who have benefited from his thoughtful guidance, his skilled and professional work as graphic artist, and his generous and sinfully good pastry creations to generations of weary and dedicated Wednesday night CT editors and writers. For these and many other contributions over the years, Ray, I extend my congratulations to you onthis landmark of service to the University and, especially, to our students.



Ray at UR, in CT–priceless

“Afterglow” was meant to be a deluxe version of the original “EUSEXUA,” but instead took on a life of its own, running away into a drug-fuelled night filled with grimy DJs and hallucinations from one too many bumps. Read More

Ray at UR, in CT–priceless

The motivation for TOOP’s production is the opposite of the traditional gender roles the plot reifies. It is a painting of contradictions. Read More

Ray at UR, in CT–priceless

The Rochester Philharmonic Orchestra played the score of the film live, while the movie itself was projected above the musicians. It was a beautiful performance and an affectionate tribute to such a famous film.  Read More