There is something wrong with the very concept of intellectual property. To believe in the idea of intellectual property is to mistake the nature of information. Information, unlike physical material, has the ability to be reproduced ad infinitum at no cost. The only costs incurred by sharing so-called intellectual property is a loss of projected compensation for those who “own” the rights to said information. And, though there should still be credit preservation and some form of compensation for the creators of this information, the current model leaves far too much room for abuse within the system. Unfortunately, it seems that the law will continue to insist on a proprietary model for the forseeable future, and while that may be regrettable, it does not mean that there are no options.If you are a writer, artist or creator of anything that can be copyrighted, place your work in the Creative Commons. What does that mean? Well, there are basically three options you have as the creator. The first is to reserve all rights – this is the default for any created works. This is what it means to have a standard copyright, and the copyright comes into existence with the work itself – you don’t have to do anything to get it. The second option is to place your work in the public domain, which means that you relinquish all rights. However, once you do that, someone else could take your work, modify it, make money off of it, and not even credit you. That’s when the third option comes in. A Creative Commons license means “some rights reserved,” and you get to determine what those rights are.Your basic options are to require attribution or not, to allow commercial uses or not, and to allow modifications or not. By marking your works with the appropriate license, you can customize exactly how you want your works used. If you want, you can create a license where people are able to use your work non-commercially, as long as you are attributed, but require permission if they intend to use it in a circumstance where they could make money. This isn’t a perfect solution to the problem of copyrights, but it is the best compromise currently available.The problem is this – information ought to be free to use and exchange, so that it can benefit the most people. But talent and creativity ought to be honored and rewarded.The current system does little to honor the actual creators, and even less to inspire new creativity. It allows people to maintain their copyright dominance for long past a reasonable period, and, as a result, fails to support the most crucial element of compensation for information – motivation to generate novel works.Powell can be reached at lpowell@campustimes.org.
brands
Eastman should not be on the back burner
While we respect the University’s scientific achievements, we have always seen ourselves as Eastman students first.
corporations
The dirty truth of greenwashing
It goes without saying that greenwashing, or any other form of disingenuous activism, is wrong.
art
What we find when we slow down: A case for modern art
What you see isn’t a tree or a face, it isn’t a story with a beginning and an end. It is a field of seeing where you are invited to dwell. The color is restrained, the form minimal, yet the work becomes existing — a sort of presence in stillness.
