Culture

Colin’s Review Rundown: Flo Milli, Holly Humberstone, Dermot Kennedy

Holly Humberstone’s “Work In Progress” — an aptly titled EP For fans of: (obviously) Phoebe Bridgers, Billie Eilish (obviously) Rating:…

“Ghostbusters: Frozen Empire” is as lifeless as its poltergeists

I love the original “Ghostbusters,” not only because of the nostalgia I have from watching it with my family during…

“Damsel”: Reworking fairytale tropes in 2024

“Damsel” was a refreshing film that I enjoyed despite its faults. The film has the strongest of some of Millie…

Synthpop Double Feature: GLOOM DIVISION and Girl With No Face

  GLOOM DIVISION by I DONT KNOW HOW BUT THEY FOUND ME- Review I DONT KNOW HOW BUT THEY FOUND…

“Dune: Part 2” (2024) review: A modern masterpiece

“Dune: Part 2” took everything great about the first movie and expanded upon it to create an out-of-this-world experience for viewers.

Abby Sage’s “The Rot” digs deep into a new age of indie alt-pop

The Los Angeles-based artist has put out songs since 2021, giving her spin on alt-pop and adding emotional grit to the traditionally soft genre.

CT Eats: Come for the sandwiches, stay for the coffee at Magnolia’s

With their large menu and cozy interior, I can see how Magnolia’s has become a Park Ave staple – even fit for a president.

MAG celebrates Black History Month, highlights community resources

In the cold of the February winter, the Memorial Art Gallery opened its doors to its Black History Month Celebration…

‘The Underdoggs’ (2024) review: An underwhelming sports story

“The Underdoggs” was about as predictable as “The Mighty Ducks” or “Air Bud,” except without a unique twist — another…

Declan McKenna’s “What Happened to the Beach?” blends summery pop with social commentary

Imagine you are spending a warm summer day in LA,  the sun beaming down on your face, almost toxically green…